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Folklore to Mixed Cultures Catalog

A digital catalog featuring images of 26 paintings, a note on each collection, and an inspired reflection detailing the transition between my most recent collections.

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Statement

The hands in my work tell stories of self discovery. Painted in black-and-white, I am able to control the way the narrators are racially perceived. Painted realistically and set against colorful stylistic backgrounds, I reference the relationship between reality, memory, and nostalgia, while also referencing the concept of belonging. In my art practice, I share funny moments, tender moments, and moments of conflict from investigating my own cultural heritage and identity.

Bio
April Werle is a narrative painter, whose works investigate how culture is internalized and negotiated as a mixed-race person. Influenced by her Filipino heritage and multicultural upbringing, Werle's works explore themes of mixed-race identity, family, and belonging. She reimagines memories and shared family stories, skillfully capturing the nuances of body language, particularly through the expressive use of hands. Her paintings have been exhibited at notable venues, including the Holter Museum of Art, Missoula Art Museum, and The Other Art Fair Los Angeles. Her work has been featured in publications like New Visionary Magazine and Kapwa Magazine. Werle is an advocate for multiculturalism and intercultural dialogue. She has been invited to speak about her work, including a keynote speech at Montana State University with the Asian Student Interracial Association. April Werle has received recognition for her contributions, including a WESTAF BIPOC Fund Award, as well as an ARPA Grant and a Strategic Investment Grant from the Montana Arts Council. Currently based in Missoula, Montana, she continues to explore cultural identity and heritage through her art.
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