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Han’s artistic practice explores the dual nature of technology, particularly the impact of “tech addiction” on human cognition and social relationships. Her series Humanbot reflects the merging of humans and machines in the AI era, inspired by a childhood belief that she was like a robot—her thoughts and decisions seemingly governed by programmed neural algorithms. In recent years, her work has further examined how traditional Chinese culture is being eroded by technological developments such as social media and artificial intelligence. Using blue-and-white porcelain as a metaphor, she addresses issues of cultural loss and erasure. The porcelain, rich in historical and symbolic meaning, becomes a lens through which she explores identity crises and the gradual disappearance of real-world connection in a technology-driven society.

Bio
Born in 1996 in Nanjing, China, Han Boyuan is currently based in San Francisco, USA. She is a member of the Nanjing Youth Artists Association and the Asian American Women Artists Association. Han earned her BFA from California College of the Arts (CCA), where she is currently pursuing her MFA. She works across media, from traditional materials like acrylic and oil paint to plastic, laser-cutting, and mixed-media installation and sculpture. Her work has been exhibited in San Francisco, Los Angeles, Maryland, Rome, and Venice, with solo exhibitions in San Francisco (2018), and in Nanjing and Shanghai (2023).
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