My practice constantly calls into question how a photograph functions subjectively versus objectively and vice versa. Whether taking or looking at family snapshots, I often recall distinct memories or experiences. But I also wonder, what about other people? What do they see looking at the same photo? So how can you trust your memory, thinking you remember a moment or an event, I approach family pictures not with nostalgia, but with questions about how come I do not remember, or how I know I remember such objects in the photographs. For me, photography becomes a visual information exchange of images that I collect and trade. What I do is capture pictorial fragments that then allow me to ask, “This is a portion of my experience, but what about yours?” that hopefully prompts any type of conversation that becomes photo books. Photography is sort of a visual information exchange of images which I collect and trade. So it relates to and becomes language but as if pictures were words except not to create text or suggest narrative. What I do is capture fragments which then allows me to ask “This is a portion of my experience, but what about yours?” that hopefully prompts any type of conversation.
